Joan had found a liking gradually growing up in her for the quick-moving, curt-tongued doctor. She had dismissed him at first as a mere butcher: his brutal haste, his indifference apparently to the suffering he was causing, his great, strong, hairy hands, with their squat fingers, his cold grey eyes. But she learnt as time went by, that his callousness was a thing that he put on at the same time that he tied his white apron round his waist, and rolled up his sleeves. It seemed a favourable opportunity to inform him of that fixed determination of hers: never—in all probability—to marry: but to devote her life to her work. She was feeling very kindly towards him; and was able to soften her decision with touches of gentle regret. He did not appear in the least upset. But ‘thought’ that her duty might demand, later on, that she should change her mind: that was if fate should offer her some noble marriage, giving her wider opportunity.!

“And so you married her and took her drum away from her,” said Joan. “Oh, the thing God gives to some of us,” she explained, “to make a little noise with, and set the people marching.” One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London.

The street was empty. They were pacing it slowly, up and down. At Girton it was more by force of will, of brain, that she had to make her position. There was more competition. Joan welcomed it, as giving more zest to life. But even there her beauty was by no means a negligible quantity. Clever, brilliant young women, accustomed to sweep aside all opposition with a blaze of rhetoric, found themselves to their irritation sitting in front of her silent, not so much listening to her as looking at her. It puzzled them for a time. Because a girl’s features are classical and her colouring attractive, surely that has nothing to do with the value of her political views? Until one of them discovered by chance that it has. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.